So, someone representing PBS has contacted me about the DEFCON Shoot and their interest in speaking with some people there since they want to focus their piece on hackers and our interest in constitutional rights.
While i am not wild about media being present at an event where many of us take the "i don't want to be on camera" policy even more strongly than at DEFCON itself, part of me respects the fact that these folk are behaving exactly as we so often ask the press to behave... they are up-front about who they are and they are asking if there is any way they can do their thing in a manner that doesn't disturb us.
My thoughts on the matter would be that i could set up an additional table on the far right side of the shooting lanes. This would be more or less a "free" lane (technically pair of lanes) for anyone at the Shoot to use, with the understanding that they may appear on film if they are standing there. The reporters could roll B-Roll there if they wanted, then conduct interviews in the background somewhere during times that are quiet enough.
But those are simply my thoughts. I'd like to hear what you all want, since i have always wanted this to be your event with me simply helping to wrangle the logistics.
From their email to me..
the person who contacted me is...
her executive producer at PBS for this segment would be...
While i am not wild about media being present at an event where many of us take the "i don't want to be on camera" policy even more strongly than at DEFCON itself, part of me respects the fact that these folk are behaving exactly as we so often ask the press to behave... they are up-front about who they are and they are asking if there is any way they can do their thing in a manner that doesn't disturb us.
My thoughts on the matter would be that i could set up an additional table on the far right side of the shooting lanes. This would be more or less a "free" lane (technically pair of lanes) for anyone at the Shoot to use, with the understanding that they may appear on film if they are standing there. The reporters could roll B-Roll there if they wanted, then conduct interviews in the background somewhere during times that are quiet enough.
But those are simply my thoughts. I'd like to hear what you all want, since i have always wanted this to be your event with me simply helping to wrangle the logistics.
From their email to me..
Hollywood films, best-selling novels, and hit TV series are packed with hackers. But these caricatures don’t engage the moral complexities of the electronic frontier. This is a frontier struggle where the fight is as much about the future of our democracy as it is the immediate blows at hand. What are the legal, material, and moral issues that hackers raise for our society, and how should we respond?...
I have very little experience with firearms myself, although I did shoot a pistol for the first time last year...
I'd love to be able to come to your shoot with my Director of Photography, Paul Sanderson, and do some filming. We would of course be happy to abstain from filming anyone at the event who is not comfortable appearing on camera. Would you be open to our participating in this way
I have very little experience with firearms myself, although I did shoot a pistol for the first time last year...
I'd love to be able to come to your shoot with my Director of Photography, Paul Sanderson, and do some filming. We would of course be happy to abstain from filming anyone at the event who is not comfortable appearing on camera. Would you be open to our participating in this way
Rebecca Wexler
Fellow at the Yale Law School Information Society Project. She holds an M.Phil in history of science from Cambridge University (Gates-Cambridge Fellow) and a B.A. from Harvard College (summa cum laude). She has worked with filmmakers Richard Leacock, Alex Gibney, Ross McElwee, Robb Moss, Helen Whitney, and Michael Epstein on documentaries distributed by PBS/American Experience, PBS/WETA,HBO, VH1, and Verve. She has produced and directed documentaries for the Yale Art Gallery, La Maison Européenne de la Photographie, and the Long Wharf Theatre. She currently teaches a Yale Law School practicum on visual advocacy and the intersection of law and film.
Fellow at the Yale Law School Information Society Project. She holds an M.Phil in history of science from Cambridge University (Gates-Cambridge Fellow) and a B.A. from Harvard College (summa cum laude). She has worked with filmmakers Richard Leacock, Alex Gibney, Ross McElwee, Robb Moss, Helen Whitney, and Michael Epstein on documentaries distributed by PBS/American Experience, PBS/WETA,HBO, VH1, and Verve. She has produced and directed documentaries for the Yale Art Gallery, La Maison Européenne de la Photographie, and the Long Wharf Theatre. She currently teaches a Yale Law School practicum on visual advocacy and the intersection of law and film.
Ofra Bikel is one of America's leading documentary filmmakers. She has produced 25 programs for Frontline, and collectively these films have received broadcast journalism's most prestigious honors, including the duPont-Columbia Award, the Robert F. Kennedy Award, the Sidney Hillman Foundation Award, the NACDL Champion Of Justice Award, Grand Prize and Best of Category accolades at the Banff International Television Festival, and six national Emmys. In 2007, Bikel received the John Chancellor Award for Excellence in Journalism, honoring her 30 years of outstanding journalism and filmmaking.
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